The title of this book by the late Joyce Cary suggests that some theory of the relations between art and reality will be propounded. Such in fact is the case, but it is not a theory of aesthetics in the comprehensive sense—nothing so rigidly ambitious as Maritain’s book on Creative Intuition. This book is based on the Clark Lectures for 1956 and on some Oxford lectures on the novel given in 1952. It is the kind of very English book which (...) Continental aestheticians tend to despise—the general theory so loosely jointed together, the analogies drawn between the arts so superficial, the many lacunae left gaping in the structure. If however one shares the English critical tradition it will certainly be found a more meaningful book than a flock of the other kind. (shrink)

This is a stimulating but maddening book, for the author opens the gate on several fascinating avenues of thought but does not give himself time to explore them for any great distance. It could have been a much more important book of its kind for it is the seminal kind badly needed in Christian circles at the moment. It attempts to build bridges between certain areas of life and thought recently discovered to be virtually sealed off from each other—notably between (...) liturgical cultus, secular culture and modern industrial society. From ‘an explicitly Catholic angle’ but in very fresh terms it links together the liturgical movement, Scriptural studies and the Church’s social teaching and suggests new perspectives so that these may open up freely to one another. (shrink)

This is a ‘study of Liberal Humanism in the novels of George Eliot, Henry James, E M Forster, Virginia Woolf and Angus Wilson’. The ‘free spirit’ is the person who, ‘freed’ of traditional or customary morality, has to learn an empirical or consequential morality in relations with other people and reconcile this with self-fulfilment as a new and conscious ideal. Such a spirit typifies the offspring of J S Mill and the liberal middle-class culture of the late nineteenth century with (...) its reliance on historical progress, the power of reason, tolerance and individual freedom. The dilemma of the contemporary liberal is summarised in an introductory chapter which does not however attempt any analysis more radical than the usual one. When the international conflicts of the twentieth century undermined its confidence liberalism lost its creative energy in the fields of political action and social reform, yet many middle-class people of liberal bent still retain in their private lives amidst an alien society a liberal-humanist morality of personal relationships worked out according to the motives and foreseen consequences of their actions. Certain characters and themes handled by the above line of novelists show their awareness of this liberal programme and its complications. (shrink)